LMCC Art Center
Soisson Landing, Governors Island, New York, NY 10004
November 8th through December 19th, 2025
Opening Reception: November 8, 2025
Time: 2 PM – 5 PM
Artists:
Alessandro Valerio Zamora (Costa Rica)
Álvaro Correa (Colombia)
Antonio José Guzmán & Iva Jankovic (Panama)
Carlos Llamas (Colombia)
Cecilia Barreto (Mexico)
Coco Mártin (Peru)
Daniel Valladares (Honduras)
García-Ordóñez (Colombia)
Juliana Correa (Colombia)
Natalia Mejía Murillo (Colombia)
Sabrina Merayo Nuñez (Argentina)
Alessandro Valerio Zamora
Costa Rica, 1992
Sedimentation, 2018
Installation, Variable dimensions
Found bricks
Costa Rica, 1992
Sedimentation, 2018
Installation, Variable dimensions
Found bricks
Álvaro Correa Molina
Colombia, 1960
Distopía, 2023
Sculpture, Variable dimensions
Assemblage
Wood and silver leaf
Colombia, 1960
Distopía, 2023
Sculpture, Variable dimensions
Assemblage
Wood and silver leaf
Antonio José Guzmán & Iva Jankovic
Panama, 1971 | Serbia, 1979
El Retorno del Mañana, 2025
Mixed-media installation, 237″ x 237″ x 237″
Canvas textiles
Panama, 1971 | Serbia, 1979
El Retorno del Mañana, 2025
Mixed-media installation, 237″ x 237″ x 237″
Canvas textiles
Carlos Llamas
Colombia, 1973
Urban Collages, 2025
Photography, 16″ x 24″
Analog and digital photography
Luster photographic paper
No. Editions: 10
Colombia, 1973
Urban Collages, 2025
Photography, 16″ x 24″
Analog and digital photography
Luster photographic paper
No. Editions: 10
Cecilia Barreto
Mexico, 1985
América sola, 2025
Mixed-media installation, 158″ x 158″ x 158″
Batik-painted cotton curtain, metal tray cut over accumulated sea salt, and four paintings (acrylic and oil on canvas)
Mexico, 1985
América sola, 2025
Mixed-media installation, 158″ x 158″ x 158″
Batik-painted cotton curtain, metal tray cut over accumulated sea salt, and four paintings (acrylic and oil on canvas)
Coco Mártin
Peru, 1965
Obliteration, 2022–2025
Mixed-media installation, 3.5″ x 3.5″ x 8″
Peru, 1965
Obliteration, 2022–2025
Mixed-media installation, 3.5″ x 3.5″ x 8″
Daniel Valladares
Honduras, 1989
Travesía, 2023
Performance, Dimensions
Photographic documentation
Honduras, 1989
Travesía, 2023
Performance, Dimensions
Photographic documentation
García-Ordóñez
Colombia, 1959
Our last half sacred supper, 2025
Mixed-media installation, 72″ x 30″ x 29″
Folding table, tablecloth, ceramic plates, cutlery, black earth, water, resin, roofing liquid, wood, plastic, pigments, fabric
Colombia, 1959
Our last half sacred supper, 2025
Mixed-media installation, 72″ x 30″ x 29″
Folding table, tablecloth, ceramic plates, cutlery, black earth, water, resin, roofing liquid, wood, plastic, pigments, fabric
Juliana Correa
Colombia, 1967
C13, 2025
Environment, 79″ x 42″
Reclaimed and transformed textiles, thread, lithographic and textile ink
Colombia, 1967
C13, 2025
Environment, 79″ x 42″
Reclaimed and transformed textiles, thread, lithographic and textile ink
Natalia Mejía Murillo
Colombia, 1990Tenth of a Second, 2023
Sculpture, Variable dimensions
Mixed media sculpture
Wall built with compressed soil, reliefs cast with eggshell powder, wall structure made with reclaimed wood. Scaffolding, plastic, soil, wooden column, found table legs, motorized swinging light. Blown and laser-engraved glass.
Colombia, 1990Tenth of a Second, 2023
Sculpture, Variable dimensions
Mixed media sculpture
Wall built with compressed soil, reliefs cast with eggshell powder, wall structure made with reclaimed wood. Scaffolding, plastic, soil, wooden column, found table legs, motorized swinging light. Blown and laser-engraved glass.
Sabrina Merayo Nuñez
Argentina, 1980
Parasite, 2025
Bioplastic sculpture, 78″ x 23″
LED strip lights, hemp fibers, natural dyes
Argentina, 1980
Parasite, 2025
Bioplastic sculpture, 78″ x 23″
LED strip lights, hemp fibers, natural dyes