Lehman College Art Gallery

250 Bedford Park Blvd W, Bronx, NY 10468

October 29th, 2025 until January 17th, 2026

Opening Reception: October 29, 2025

Time: 5 PM – 7 PM

“Smart Cities”

Exhibition Curators Naivy Pérez and Frency Fernández

Artists:

Alba Triana (Colombia)

Armando Guiller (Cuba)

Balam & Mary Soto (Guatemala / United States)

Dora Mejía (Colombia)

Fernando Velázquez (Uruguay)

Fidel García (Cuba)

Joaquín Fargas (Argentina)

Liliana Farber (Uruguay)

Malitzin Cortés (CNDSD) & Iván Abreu (Mexico / Cuba)

Milton Raggi (Cuba)

MINImax (Cuba)

MORAKANA (México / Thailand)

Nestor Siré & Steffen Köhn (Cuba | Germany)

Poli Mujica (Chile)

Rafael Lozano-Hemmer (Mexico)

Rewell Altunaga (Cuba)

Unidad de Conciencias Colectivas Terrestres (Mexico)

Yucef Merhi (Venezuela)

Alba Triana
Colombia, 1969
Music on a Bound String No. 2, 2015
Installation, Variable dimensions
00:16:00 Looped
Visible sound and light sculpture

Balam & Mary Soto
Guatemala | USA, (Years)
Dendrites, 2022
Interactive light artwork, Variable dimensions
Wood, electronics, custom hardware and software by the artists

Dora Mejía
Colombia, 1948
Human / Urban Footprint, 2024
Video, HD, Mp4, 16:9
00:02:08, No audio

Fernando Velázquez
Uruguay, 1970
Critical Zones, 2024
Full Dome video, Loop, No audio

Fidel García
Cuba, 1981
Resocialization, 2025
Biometric software, Variable dimensions
Homeless community, scaffold, laptop, screen and data show

Joaquín Fargas
Argentina, 1950
The Absolute Book, 2018
Interactive art piece, Variable dimensions
Web-based work and screen installation

Liliana Farber
Uruguay, 1983
Feed, 2016–2021
Three-channel video, 00:02:10 Looped

Milton Raggi
Cuba, 1991
Maelstrom, 2025
Sound installation, Variable dimensions
Cuban coin, burnt vertical table, motor, neodymium magnets, Arduino, motor plate, piezo, transmitter-receivers, mixer of sound channels, computer, speakers and dimmable stage light with stroboscopic effect.

MINImax-Studio
Marcel Márquez – Cuba, 1985
“After RUBICK’S REVENGE”. 2025.
Video-mapping installation, Variable dimensions
Cubic structure of screens. Beamers.

MORAKANA
Sebastián Morales – Mexico, 1990 | Tiri Kananuruk – Thailand, 1989
Histolysis, 2025
Kinetic installation, 120″ x 48″
Custom circuit boards, 3D-printed structures, carbon fiber rods, dyneema cables, Geared DC motors, Microphones, LEDs, Bioplastic, custom software and hardware

Nestor Siré & Steffen Köhn (Cuba | Germany)
Cuba, 1988
Time of Red, 2024
Seven-channel video installation, Variable dimensions
Sculptural viewing and environment with red powder

Poli Mujica
Chile, 1986
Armors of Tenderness, 2025
3D animation video + AR looping
High-Resolution projection. Stereo sound. QR code for access to augmented reality.