Hostos Art Gallery
450 Grand Concourse, Bronx NY 10451
September 10th, 2025 through January 17th, 2026
Opening Reception: September 10, 2025
Time: 6 PM – 8 PM
Artists:
Ángel Urrely (Dominican Republic)
Carmen Lizardo (Dominican Republic)
Danilo Espinoza Guerra (Chile)
Elisa Lutteral (Argentina)
Iván Zambrano (Chile)
Josemiel Platz (Argentina)
Linet Sánchez (Cuba)
Marisa Caichiolo (Argentina)
Marité Vidales (Costa Rica)
Mary Frances Attiás Antún (Dominican Republic)
Mau Samayoa (El Salvador)
Olmedo Alvarado (Ecuador)
Winslon (Cuba)
Ángel Urrely
Cuba, 1971
La isla, 2015
Drawing, 72″ x 48″
Canvas, acrylic, pencil
Cuba, 1971
La isla, 2015
Drawing, 72″ x 48″
Canvas, acrylic, pencil
Carmen Lizardo
United States, 1970
The House in Me: Invisible Presence, 2025
Photography, 20″ x 24″
Collage, digital print on paper
No. Editions: 0
No. A/P (Artist Proof): 1/ 16″ x 20″
United States, 1970
The House in Me: Invisible Presence, 2025
Photography, 20″ x 24″
Collage, digital print on paper
No. Editions: 0
No. A/P (Artist Proof): 1/ 16″ x 20″
Danilo Espinoza Guerra
Chile, 1972
Archivo Ochagavía, 2025
Drawing, 57″ x 165″
Graphic work made with smoke on fabric
Chile, 1972
Archivo Ochagavía, 2025
Drawing, 57″ x 165″
Graphic work made with smoke on fabric
Elisa Lutteral
Argentina, 1992
Topographies of Delusional Immortality, 2024
Mixed-media installation, Variable dimensions
The sculptures employ electroplating
Argentina, 1992
Topographies of Delusional Immortality, 2024
Mixed-media installation, Variable dimensions
The sculptures employ electroplating
Iván Zambrano
Chile, 1963
Metáforas del plomo, 2024
Mixed-media installation, Variable dimensions
Polyester resin, fiberglass, metallic paint, thread, letters cut from acrylic
Chile, 1963
Metáforas del plomo, 2024
Mixed-media installation, Variable dimensions
Polyester resin, fiberglass, metallic paint, thread, letters cut from acrylic
Josemiel Platz
Argentina, 1982
Mapas enigmáticos, 2018
Painting, 91″ x 45″
Oil pastel on paper
Argentina, 1982
Mapas enigmáticos, 2018
Painting, 91″ x 45″
Oil pastel on paper
Linet Sánchez
Cuba, 1989
Untitled #7 from Untitled Series, 2013
Photography, 31″ x 47″
Inkjet print with archival pigment ink
Epson Glossy 260gsm with matte laminate on Dibond
Ed 5/5
No Artist Proof
Cuba, 1989
Untitled #7 from Untitled Series, 2013
Photography, 31″ x 47″
Inkjet print with archival pigment ink
Epson Glossy 260gsm with matte laminate on Dibond
Ed 5/5
No Artist Proof
Marisa Caichiolo
Argentina, 1974
The House on Fire: a story of bad politics, 2018 – 2025
Mixed-media installation, 118″ x 196″ x 10″
Argentina, 1974
The House on Fire: a story of bad politics, 2018 – 2025
Mixed-media installation, 118″ x 196″ x 10″
Marité Vidales
Costa Rica, 1963
At Home, in Peril: Installation, 2020–2025
Drawing, 120″ x 72″ x 1″
40 acrylic painted wooden panels of 12″ x 12″
Costa Rica, 1963
At Home, in Peril: Installation, 2020–2025
Drawing, 120″ x 72″ x 1″
40 acrylic painted wooden panels of 12″ x 12″
Mary Frances Attiás Antún
Dominican Republic, 1966
The Human Hive, 2025
Mixed-media installation, 71″ x 158″
Photography over light box, printed methacrylate box with hexagonal 30 cm wooden frame, batteries, metallic 3mm dibond with magnets, aluminum base and frame, electric connection
Dominican Republic, 1966
The Human Hive, 2025
Mixed-media installation, 71″ x 158″
Photography over light box, printed methacrylate box with hexagonal 30 cm wooden frame, batteries, metallic 3mm dibond with magnets, aluminum base and frame, electric connection
Mau Samayoa
El Salvador, 1989
Celosía, 2025
Drawing, 22″ x 46″
Graphite on sculpted cotton paper
El Salvador, 1989
Celosía, 2025
Drawing, 22″ x 46″
Graphite on sculpted cotton paper
Olmedo Alvarado Granda
Ecuador, 1955
Sobre la ruina, se yergue el mito del futuro; pero bajo cada edificio nuevo, yacen los cuerpos de los olvidados, 2025
Painting, 225″ x 106″
Printed images, intervened with slip on fabric, colored clays, sigillata, natural pigments, resaflex, and markers
Ecuador, 1955
Sobre la ruina, se yergue el mito del futuro; pero bajo cada edificio nuevo, yacen los cuerpos de los olvidados, 2025
Painting, 225″ x 106″
Printed images, intervened with slip on fabric, colored clays, sigillata, natural pigments, resaflex, and markers
Winslon
Cuba, 1979
Tejido Blando, 2025
Mixed-media installation, 46″ diameter x 1.5″
Glass mirror, gold-plated metal frame, LED light, 110V to 12V power source or transformer, PVC panel
Cuba, 1979
Tejido Blando, 2025
Mixed-media installation, 46″ diameter x 1.5″
Glass mirror, gold-plated metal frame, LED light, 110V to 12V power source or transformer, PVC panel